Synopsis Growing up can be a bumpy road, and it's no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Anda sedang berada di halaman film Inside Out 2015 film termasuk yang memiliki genre , , , dengan durasi 95 Menit tersebut dirilis di berbagai belahan di dunia khususnya di pada tanggal 09 Jun 2015. This is the only movie other than the Iron Giant that has ever made me cry. It's funny, creative, emotional, well-acted, realistic, and very, very well done. Description Growing up can be a bumpy road, and it's no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Writer : Pete Docter original story by , Ronnie Del Carmen original story by , Pete Docter screenplay by , Meg LeFauve screenplay by , Josh Cooley screenplay by , Michael Arndt additional story material by , Simon Rich additional story material by , Bill Hader additional dialogue by , Amy Poehler additional dialogue by Actors :.
Other than that its all very dull and if it doesn't make you cry, you'll probably fall asleep. She isn't extremely girly or a spoiled brat either and to me she's one of the most original characters Pixar have created. But the beauty of this medium is that it offers filmmakers opportunities to steer audiences to more engaging experiences; Pete Docter and Co accomplish this with aplomb. Thank god we're living in a time when Pixar is making these films. The portrayal of depression as being something small and easily gotten over was incorrect and terrible. Inside Out is every bit a Pixar fan's well-deserved reward for patience.
Seperti kita semua, Riley dipandu oleh emosinya — Joy, Takut, marah, jijik dan Kesedihan. In terms of cast and crew, the voice actors are superb selections - Lewis Black aces the Angry persona with generous dollops of sarcasm; Mindy Kaling is just perfect voicing Disgust; Richard Kind's performance as the imaginary Bing Bong is an absolute tear-jerker, while Kaitlyn Dias shows remarkable poise playing Riley. For children and adults alike, I recommend this work of art. And I can honestly say that I am extremely baffled to see how many negative reviews around here is on the top of usefulness! In this case, for me, it's the latter. Aside from the boring concept, this movie is way too complex and depressing for children. As far as concepts go, I was astonished at the amount of detail and coherence in execution. Has it been hacked for real? The plot is nearly nonexistent and the most constant thing throughout is joy and sadness attempting to get back to the control center of Riley's brain after being sucked out by accident.
The animation left me spell-bound, especially the sequence where thoughts are shown to be abstracted, and are endowed with a lot of heart. There are, from what I remember, no laugh out loud jokes. There is absolutely no nuance in this film. And what did you else expect? However, to top all this off, the real gem comes from the character of Joy, surely a strong contender in the list of Pixar's greatest characters. Why would Riley be the only one whose emotions all look nothing like her? I think this year could be their most important message they've delivered us and I am very thankful to Pixar for showing us that. Although Joy, Riley's main and most important emotion, tries to keep things positive, the emotions conflict on how best to navigate a new city, house and school.
Like all of us, Riley is guided by her emotions — Joy, Fear, Anger, Disgust and Sadness. And my answer to that is simply: No not at all! Yes, yes of course it is. Like all of us, Riley is guided by her emotions - Joy, Fear, Anger, Disgust and Sadness. And it is fun to do so. For some reason, I couldn't quite catch this movie in theaters and I managed to watch it on an international flight. Finally, Riley tries to run away and it just so happens that joy returns and fixes everything before she has the chance to get too far.
The one redeeming factor was the animation, which was good but all the designs were so uncreative that good animation couldn't save it. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters. Tagline: Meet the little voices inside your head. The humor compensates with trademark Pixar staple of jokes, albeit intended for slightly more mature viewers. And I'm not joking about that, Inside Out is truly amazing. Was this movie seriously that bad? Pixar has done far better than this and even the mediocre 'Brave' and 'Cars' are far better. Being probably the most flawed character in the film paradoxically, maybe , it's her journey we care about the most, and she ends up being the most in-depth character in the film, occasionally questioning her actions in the first half well, the cynics will be , and becoming the most sympathetic by the end.
Even though we are inside the head of Riley for the majority of the film, and the events that drive the movie are essentially her reactions to her new world moving from Minnesota to San Francisco , the story is Joy's. The movie is fairly short, but a running time of 94 minutes is appropriate justice to a slightly heavy subject matter. And yet somehow they don't feel flat or like they defined by a single emotion. Even though the film is what we come to expect from Pixar the universal moral themes, the perfect balance between comedy and sadness, and visually stunning animation and action sequences , I didn't feel that I had seen it all before, and neither was it repetitive nor 'ordinary'. Riley is brilliantly sympathetic throughout, even with her difficult mood swings, and the supporting characters are perfectly entertaining.
And I will tell why this isn't a bad movie. The emotions live in Headquarters, the control center inside Riley's mind, where they help advise her through everyday life. And I wasn't the only one. I want to do something, then I don't, then I do again. That's not a unique thing, but I very rarely watch films more than once at the cinema, mainly because life is short, or rather, life is too quick for me. Tumbuh dapat menjadi jalan bergelombang, dan itu tidak terkecuali untuk Riley, yang tercerabut dari kehidupan Midwest ketika ayahnya memulai pekerjaan baru di San Francisco. Either way its a definite miss.
But it is Amy Poehler who steals the show in a coruscating blend of vivacity, vibrancy, and vicariousness. One last but not least thing to say: I really had a good time watching Inside Out and the audience loved it too and at the very end of the movie it's not always this usual for my home country and this was no exception everyone applauded and so did I and I frankly believe it deserves the credit it receives. Pixar did not please its intended audience, nor did it please the grown ups. As touched on before, the balance between humour and sadness is strong and impressive; the amount of emotions that the film displays and takes us through is varied and immersive, yet not overwhelming. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters. I won't spoil the message but it is another big thing Pixar has given us this year.
Aside from the complete inaccuracy of anyone feeling only one emotion at a time, everything about this movie was casually ableist. Everything felt extremely dragged out and joy and sadness ran into obstacle after obstacle trying to get back to the control center. Although Joy, Riley's main and most important emotion, tries to keep things positive, the emotions conflict on how best to navigate a new city, house and school. Like all of us, Riley is guided by her emotions - Joy, Fear, Anger, Disgust and Sadness. It's been used before, its just not as common as other types of movies. One might think that the superficial nature of the characters Anger is angry, Fear is always scared etc. Even after having the ending spoiled to me I still cried under my 3D glasses.